Monsenhor enVide neFelibata

COPY / PASTE


COPY / PASTE
COPY / PASTE
COPY / PASTE
COPY / PASTE
COPY / PASTE
COPY / PASTE
COPY / PASTE
printing and reproduction techniques within mailart

about

Printing techniques were never far apart from the art world as some might think. Woodcut, typography, silkscreen, lithograph, stencil, rubber stamps, 3D printing, digital printing, ... are a short list of various means of reproduction within our reach that are also explored for their artistic expression. Although some of these media may have arisen purely for the sake of reproduction and others with marketing intentions ... others had arise with a purely artistic vision. However, none of these techniques, sooner or later, scaped artists who use them for creating multiples or for their material expressiveness.

It is therefore with this call and with this question in mind that we invite you to question multiples in artistic creation and printing techniques as expression, either through artworks or written statements.

On our previous curated mailart and artbymail open call and exhibition entitled "Hate Mail? for ya Fat F#uck", we've dealt with similar content as we've shown Claudio Parentela's artwork in the form of digital prints of his own digital collages... in a way rasing the question: if physical prints of artwork meant to prevail only among the digital world may or not be considered art? We've also laid out a consonant scheme while presenting rough quality prints from scans of Rachelline Centomo's personal international mailart open call "La Muerte / Mientras la Vida nos Dure" that had happened at Mexico the previous year.

art

ART DIRECTOR AND CURATOR Monsenhor enVide neFelibata
ART CONSULTANT Migvel Tepes

download

main album 28.5 Mb
exported pdf EN 3.6 Mb
exported pdf PT 3.6 Mb

shown at

2020
Biblioteca Municipal José Marmelo Silva / Espinho, Portugal